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Posts Tagged ‘beach’

Finally I’ve finished another painting! This winter has been brutal in every way imaginable. Because of this I’ve taken to painting dreamy summer scenes all season to console my shivering skins.

Last summer I took a trip to P-Town Mass, early in the season before the crowds arrived.  The town was just waking up from its long winter slumber; the people and their possessions were slowly and lazily stirring with anticipation for the coming tourist season. Things weren’t ready yet–boats had to be hosed off, patios needed to be set-up. Everything was being taken outside and given a good shake. Provincetown is a very beautiful place, but it’s a tourist town and beautiful places are hard to appreciate when you can’t see the scenery through masses of human bodies in colorful hats and cheap backpacks. It was nice to get a glimpse of the famous local when it’s most mundane, where the most exciting thing happening is that the library is being dusted and the sidewalks refinished. It really is a cute little town.
provincetownwatermark

This painting was done in watercolors and pen on cold-press watercolor paper. I’m most proud of how that tree turned out.

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I’ve finished a new painting! in an effort to hold onto the summer sun for as long as possible, I decided to paint, just for fun, a picture of this beach beauty. It’s not often that I paint a picture for no reason other than my own entertainment, but I couldn’t resist the opportunity to paint a pretty lady in bright colors.

This is a mixed-media piece of watercolors and colored pencil. It was not easy to mix that perfectly tanned skin tone without making her look sunburned or too toasty brown. Tanned skin is a very complicated mix of reds, oranges, yellows, purples, and blues–kind of like normal skin I suppose but with a lot more saturation! I tackled the skin by laying yellow washes first. Then I marked my shadows with some light blue and purple washes, and then really built up the color with thick layers of reds and orange. In some places I’m really laying the red on much thicker than you would expect, and even then I still needed the colored pencil to give it that extra blast of color. The skin was easily the most difficult part.

The easiest part of the painting? The Hair. I love to paint masses of linear things and there are few organic structures more linear than hair. Hair is easy not to overwork, and easy to stylize while still meshing with other very detailed and realistic elements of the painting.

One of my personal goals with this painting was not to overwork the surface. It’s easy to belabor a work, scouring every inch to make sure every single little detail is flushed out. Sure, that creates a really crisp image, but it takes an absurd amount of time and is not always necessary.  This painting was an exorcise in simplifying my process without sacrificing detail.

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